How storytelling and empathy drive better copywriting

Executive overview

Most copywriters lean on sales arguments, templates, and AI — and it shows. Readers are exposed to thousands of ads a day and have become experts at switching off.

The antidote is story: not as decoration, but as the primary vehicle for shifting beliefs and building brand loyalty. Fiction writers have a structural advantage here — the same empathy and craft that makes a reader turn a page also makes a prospect click a link.

Story is not a technique to layer on top of copy — it is the mechanism by which copy works.

Why story outperforms direct sales copy

  • Readers identify a sales message within seconds and disengage
  • Specificity, not big promises, creates emotional connection — stories surface that specificity
  • Brands like Disney and Coca-Cola sell because people find their identity in the story, not the product
  • A strong hook is not enough; if the body doesn't deliver, it reads as clickbait
  • Copy that entertains gives prospects a moment of color in an otherwise routine day — that's the real sell

How to develop empathy for the reader

  • Build a detailed customer persona: what they watch, read, listen to, care about
  • Mine reviews, Reddit threads, and YouTube comments for honest, unfiltered language
  • Lift phrases directly from comments when they capture the problem better than you can
  • Read fiction alongside nonfiction — fiction builds command of nuance, metaphor, and energy
  • Poetry and song lyrics train attention to craft at the line level
  • Nonfiction books often make their point by chapter two; fiction sustains immersion throughout

The craft difference between good and average copy

  • Average copy states the goal too directly — the reader sees the mechanism and disengages
  • Tact means approaching the same message from an angle the reader doesn't recognise as persuasion
  • Example: a cancellation email reframed as "here's how to get the most from your investment" rather than "don't cancel"
  • The nuance is hard to pinpoint but immediately felt — frequent feedback to copywriters is "you're not quite hitting the right tone"
  • Humor is a strong retention device; audiences remember funny ads at rates above 80%

AI and copywriting

  • AI produces the most common output — it cannot innovate or find the specific gem in a niche comment thread
  • Certain phrases ("game changer") have been worn out by AI overuse
  • Legitimate uses: grammar cleanup for non-native speakers, brainstorming angles as a starting point, generating joke variations once you have the idea
  • New copywriters who rely on AI skip the understanding needed to fix bad output — AI becomes a permanent ceiling
  • The writer still needs to guide the process; AI cannot replace the research or the empathy

Getting clients without a traditional sales background

  • A fiction or English teaching background is an advantage, not a liability — lean into it explicitly
  • Clients are less concerned about your background than you are; they want someone with personality and commitment to craft
  • You rarely compete with the best copywriters — they have moved into agencies, products, or director roles
  • Let clients into your process: show the research, the data, the deliberate choices
  • Sell yourself the way you would sell a client — write your own story, find the compelling angle, use it on calls and in applications

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